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image : @ Ars 2004
Ursula Hentschlaeger

  news
  August 2007
  • Moderating -empyre- discussion: The Good the Bad and the Ugly: Being in Second Life
    the aesthetic endeavours, creative constructions and artistic performances of SL with Annabeth Robinson, Patrick Lichty, Stephan Doesinger, Dr Ricardo Peach, Christy Dena, Kathy Cleland, Adam Nash and Dr Fabio Zambetta.
July 2007 June 2007 April 2007
  • Safety of Skin, my chapter on avatars and their histories, identities, and boundaries is now out. The long awaited book re:skin, edited by Mary Flanagan and Austin Booth, is finally available from MIT Press.
  • I spoke at Weaving with Light -Advanced Technology in Social Enterprise in Melbourne which explored the possibilities of new technologies in social enterprise, with a focus on indigenous communities. Organized by Nanotechnology Victoria and the Equity Research Centre.

March 2007
February 2007 January 2007
  • Guest on the -empyre- discussion: What is to be done (education)? along with Ollivier Dyens (CA), Chris Molinski (US), Claudia Reiche (DE), Christiane Robbins (US), Ricardo Rosas (BR), Illyana Nedkova (UK), Sharon Daniel (US) and Øjeblikket (DK). In 2006 and 2007 -empyre- conducted three conversations, edited by moderator Christina McPhee and available for download, on the three leitmotifs of documenta 12 as part of the documenta 12 Magazine Project.

December 2006

  • "Into the Internet" paper on the Precursors of Internet Art given at Multimedia Art Asia Pacific (MAAP) Out of the Internet Symposium. Other panelists included Beryl Graham (UK); Julianne Pierce (Au); Kim Machan (Au) and Fatima Lasay (Philippines). Held in conjunction with the Asia Pacific Triennial (APT) in Brisbane, Au.
  • Mobile Video work blutxt shown as part of a survey of gender inquiring and feminist digital art practices GenderTopia, TekniKunst 06 at the aptly named MeatMarket, Melbourne, Au.

November 2006

October 2006
  • Carrier included in the The Electronic Literature Collection Volume 1, published simultaneously on the net and on CD in a form suitable for individual, public library, and classroom use. Editors: N. Katherine Hayes, Nick Montfort, Scott Rettberg and Stephanie Strickland

September 2006

  • swarm immersive virtual reality concept shown in the Arteast Collection 2000+23, at the Moderna Galerija in Ljubljana. Exhibition curator Zdenka Badovinac invited artists to pair a conceptual development with existing works in the gallery. I am paired with Anish Kapoor's The Void.
  • Data Trash, commissioned article on the issues surround archiving net .art published in Photofile, The Archive Issue, No 78, 2006, Sydney

August 2006

  • Good to be in sunny California presenting a paper at the Pacific Rim New Media Summit- a pre-conference event to ISEA 2006 in San Jose, USA. With a focus on locative media it was challenging to physically get to see all of the events and projects.
  • Have I said I love Las Vegas - thanks Dave Hickey

July 2006

  • I have been a member of the Advisory Board to the Australia Council New Media Scoping Study whose report has just been published.
  • NAVA Magazine commissioned an article on my proposal for an alternative to the Tech Bank Technology Loan Facility which was oneof the non eventuated recommendations of the Myer Report.

June 2006

  • I found myself writing a catalogue essay for Daniel H Kojta's Alien Presence H - [hand made echo]', an installation of video works by Dan and 10 other artists at First Draft Sydney. The show played with notions of the present and the presence of the unknown.
April 2006
  • Read my review of Darren Tofft's new book on the evolution of media arts in Australia Interzone in Photofile - (better than) The Real Thing, No 77, 2006, Sydney
  • Invited to be partt of the International Symposium on Electronic Arts International Programming Committee for 2006.
March 2006 February 2006
  • It was fun chairing the Emerging Fields Forum at the Adelaide Festival with New York based media artist Zhang Ga, Artistic Director of Amorphic Robot Works Chico MacMurtrie, and Berlin based sound artist Carsten Nicolai.
  • I was kindly invited to be the Launch Speaker for Re:Generation, an Adelaide Fringe exhibition of emerging artists working between art and science.
January 2006
  • an old article - locate.au -a survey of Australian and New Zealand net artists, is republished on the Italian Simultaneita new media arts magazine online site. Established in 1997 as a printed magazine Simultaneita' is a direct follow-on from the monthly "Futurismo-Oggi"
  • check out Trace's Decade of Online Writing. Writers from across the globe give insights into the many ways in which technology has changed our lives in the period 1995-2005. Here is my contribution

December 2005

November 2005

October 2005

  • Facilitator of the Strange Bedfellows: Art and Science panel session at the Arc Biennial, Brisbane, a three-day festival bringing visual art, craft and design together in one program. The session featured artists working as researchers and inventors, scientists creatively exploring the possibilities of this unexpected collaboration, and the thought-provoking art produced.
  • Mobile Video work blutxt shown as part of PEAM (Pescara Electronic Artists Meeting) Italy, 22-30 October.
  • Mobile Video works Over the Stars and ShipBoard from the Portable World Series showing in the Mobile Exposure Festival, from Microcinema International, Oct 15 and 16 in Houston, Texas.

September 2005

  • Keynote Speaker at Vital Signs, held at ACMI, Melbourne - a conference surveying the range of new media and interdisciplinary creative practice across Australia. Artists, filmmakers, curators, critics and arts academics unite to clarify and articulate the pivotal role they play within Australian culture.
  • Wonderland: A Manifesto for 21st Century Immersive Works commissioned for Mesh#18 Experimenta Vanishing Point, Ed Lisa Gye, Experimenta Media Arts Inc, 2005, p13-15.

August 2005

  • Appointed Executive Director of the Australian Network for Art and Technology - Australia's peak network and advocacy body for media artists, which entailed a physical relocation from Sydney to Adelaide.
  • Sadly after many years nurturing -empyre- forum, it is time for me to pass the day to day management to the care of the other facilitators, who I am sure will build upon it's solid foundations to bring more outstanding monthly critiques and dialogues from a global arena of media arts.

July 2005

June 2005

May 2005

April 2005 March 2005 February 2005
  • Moderating a panel on International Mobile phone artworks at Mobile Journeys Professional Forum, presented by consortium partners including dLux media arts, ANAT, AIMIA, ABC New Media and mNet
  • Moderating -empyre- discussion: To Save or Not to Save? - International preservation projects dealing with online art.
January 2005
December 2004 November 2004
  • empyrean showing in CYNETart04areale, Dresden, Germany
  • Moderated Metacreation: Art and Artificial Life month on -empyre- with writer and researcher Dr Mitchell Whitelaw (AU), who was joined by eminent a-life practitioners Paul Brown (UK), Mauro Annunziato (IT), Ken Rinaldo (US), and Maria Verstappen (NL).
  • Guest lecture - History of Networked Art, Media Studies, University of Technology, Sydney [UTS].
October 2004
  • The art of the network paper given @ Archiving Web Resources, National Library of Australia, Canberra.
  • Networked Soft Space, chapter in Art and New Media, eds Yu Wei-Cheng and Phillip George, Tainan National University of the Arts, Taiwan, 2004. Mandarin p 112-119, English, p 209-214.
  education
 
  • Doctor of Philosophy - Virtual Media
    University of N.S.W.
    College of Fine Arts
    [1999 -
    2004]

  • Master of Arts - Women's Studies
    University of Wollongong
    Gender and Interactive Media
    [1995-97]

  • Bachelor of Arts (Visual Arts) - Sculptural Installation
    University of N.S.W. -
    College of Fine Arts
    Graduated with Sculpture and Alumni Prizes
    [1986-89]
  biography
 

 

  • long

    Dr Melinda Rackham is currently the Executive Director of the Australian Network for Art and Technology - Australia's peak network and advocacy body for media artists working in screen, sound, installation, performance, literary and networked arenas; creating opportunities for connection, collaboration, innovation, research and development both locally and globally.


    Over the past decade, as an artist, writer, curator and media consultant she has investigated the aesthetic, technological and philosophical aspects of online identity, locality, sexuality and community, as well as viral symbiosis and trans species relations. Her Ph.D. explored the nature and construction of, and avatar relations within multi-user Virtual Reality Networked Spaces.

    Her writing on Immersive Space, Portable Medias and Networked Cultures appears online and in print in arenas like Artlink, Eyeline, Leonardo, Ctheory, Culture Machine, Mesh, and Realtime, and has chapters in recent Routledge and MIT editions. Her residencies include Polar Circuit, Finland and Banff Center, Canada. Her web works have been shown widely, including Beyond Interface, Arco Electronico, Transmediale, File, Art Entertainment Network, The Montreal Biennale, European Media Art Festival, Hybrid Life Forms, MAAP, Perspecta99, Biennial of Buenos Aires, lab3D, ICC Tokyo, many ISEAs and the Pompidou Centre.

    Rackham won the SoundSpace Award for Virtual Worlds at the 2001 Stuttgarter Filmwinter, the Faulding Award for Multimedia at the 2000 Adelaide Festival, and Gram 1999 Internet Art Prize in Argentina. She was the Curator of Networked Media at the Australian Center for Moving Image in Melbourne, and initiated and produced -empyre- international media arts forum.

 

 
  • short

    Australian based artist, writer and curator Dr Melinda Rackham has worked with Networked Media for the past decade. Her award winning web sites are widely internationally shown and her writing appears in many online and print arenas. She initiated and produced -empyre- international media arts forum, and was Curator of Networked Media at the Australian Center for the Moving Image. Melinda is currently the Executive Director of the Australian Network for Art and Technology - the peak Australian media arts organsiation.

  contact
 
  • melinda at subtle dot net

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